10 Things Men Should Know


Dear Reader,

We received a request not too long ago from one of my friends on Twitter requesting we write a post on “10 Things Men Should Know.” We at A Woman Scorn’d are not emotionally scorn’d male bashers with a vendetta against men so, we try to tone down our blog entries to be informative and enjoyable to all genders. However, when a post request is coming from a male, well… we have to… how do you say? “keep it real”. And who better to contribute to the list than my sistah on Twitter @IAMSY

Enjoy!

FP

P.S. Oh and look out for Ask Sy coming soon.

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10 Things Men Should Know

10. Saving other chicks number in your phone under a guy's name doesn't work. (We know that game already.)

9. That shaking thing you do after taking a piss is ineffective. Use wet wipes or wet some toilet paper and wipe. Plus, wash your hands!

8. Bragging on your dick is not a turn on for a "real" woman! (It actually translates into: "you have a small dick and/or don't know what you are doing so you talk about it to feed your ego, hoping one day you will be as skillful as you imagine.")

7. "Real" women don't want dick everyone has tried. (Like a car, too much "mileage" devalues a man.)

6. Please stop bragging on your pussy eating skills. (It's only telling us you’ve had lots of "pussy" in your mouth!)

5. Please Shave!!! Women HATE hairy, musty, balls that smell like ass.

TIP: Dip your dick in some mouthwash (Listerine) if you want some head!

4. We know you’re texting the next chick when your laying up under us. (We're not as dumb as you think. We will file it away for #3)

3. By the time a "real" woman is up for an argument, we already have a file full of evidence. The “flipping shit/blame game” only works on amateurs. (So don’t waste your time trying to start one or even defending yourself. LOL)

2. We don’t want to hear how your ex fucked over you or didn’t understand you. 9 out of 10 times it’s a lie. Stop playing the victim. That’s a bitch move.

1. Don’t ever get too comfortable and forget your role as a man. Every woman has options.


Did we forget something? Do you have more to add? Please feel free to add to the list by leaving it in the comment box below.

"But He Loves Me!" - Signs of an Abusive Personality



"But he loves me!" How many times have you heard that line as you watched the blood gushing out of your friends mouth. How many times have you yourself looked in the mirror only to focus on the black and blue marks left on your body out of love? How many times has your partner belittled you ,insulted you or degraded you lowering your self-esteem? All the while, you knowing in the back of your mind this is NOT what love is. The statistics of abused partners are staggering. 4.8 million people per year are assaulted by those they are in an intimate relationship with. But less than 20% seek help. The purpose of this post is to provide information needed ahead of time so you will notice the signs of an abuser before you are so sowed up in to their "manipulative charm" that you lose your sense of self.

Please don't be mistaken that abusive is only physical. It can be emotional, mental, (verbal) and also spiritual.


Signs of an Abusive Personality
Below is a list of behaviors seen in people who abuse their partners. These signs can be observed within the relationship; because abusers generally manipulate people by being charming to get their way, it is very difficult to identify an abuser by his behaviors towards people outside of a relationship.

The last four signs in this list are almost always seen only if the person is an abuser. If the person has several of the other behaviors (say, three or more) there is a strong potential of abuse. The more signs the person has, the more likely he is an abuser. In some cases the batterer may only have a few recognizable signs, but they are very exaggerated; for example, extreme jealousy over ridiculous things.


The Signs

Initially the abuser tries to explain his behavior as a sign of his love or concern. The partner may be flattered at first, but as time goes on, these behaviors become more severe and serve to dominate the woman.
*Quick involvement

Many battered women dated or knew their abuser less than six months before they became engaged or began living together. He comes on like a whirlwind: "You're the only person I've ever really been able to talk to. I've never felt loved like this before." He needs someone desperately and pressures you to commit to him. Unused to men's wanting commitment, many women believe that this is a sign of his love.

*Unrealistic expectations

He is very dependent on you for all his needs, expects you to be the perfect wife, partner, mother, lover, friend. He often says, "You're all I need. If you love me, I'm all you need." You are supposed to take care of everything emotionally as well as in the home.

*Rigid sex roles

He sees women as inferior to men, more stupid, unable to be a whole person without a relationship. He expects you to obey him, to serve him, to stay home.

*Dr. Jekyll/Mr. Hyde

He has "sudden" changes in mood. One minute he's nice, the next minute he explodes. Anything can set him off on a rampage, even things not involving you, like problems with the car, difficulties at work, etc. Explosiveness and mood swings are typical of men who beat their partners, and these behaviors are related to other characteristics, such as hypersensitivity.

*Blames others for his problems

Almost anything that goes wrong in his life is someone else's fault. For example, if he lost his job or is chronically unemployed, he may say, "They did me in. They were out to get me." He makes mistakes and blames you. Almost anything that goes wrong is your fault.

*Blames others for his feelings

When he becomes angry and abusive it's because "You made me mad. You're hurting me by not doing what I ask. I can't help being angry." He really makes the decision about what he thinks or feels, but uses his feelings to manipulate you. Hard to catch are his claims, "You make me happy. You control how I feel."

*Poor or negative self-image

Research has found that abusers have lower self-esteem and masculinity scores than other men tested. One researcher calls this a "failed macho complex." These men appear to over-compensate for what they see as their failure to live up to the masculine sex role stereotype.

*Hypersensitivity

He is easily insulted, or takes the slightest set-back as a personal attack. He claims his feelings are "hurt" when he's really very mad. He rants and raves about the injustice of things that have happened to him - things that are really just part of living - like being asked to work over-time, getting a traffic ticket, being asked to help around the house.

*Verbal abuse

He says cruel and hurtful things, uses foul and degrading language to describe you or parts of your body, attacks your self-esteem by criticizing your looks, running down your family, friends or accomplishments. He tells you you are stupid and unable to function without him.

*Jealousy

At the beginning of the relationship, he says that his jealousy is a sign of his love. In reality, jealousy has nothing to do with love - it is a sign of his insecurity and possessiveness. He's constantly suspicious of any contact you have with other men at work or in social situations. He questions you about who you talk to, accuses you of flirting, or is jealous of time you spend with family, friends or children. As his jealousy and possessiveness increase, he may call you frequently or drop by unexpectedly to check on you. He may refuse to let you work for fear you'll meet someone else, or even check your car mileage or ask friends to watch you.

*Controlling behavior

At first, he says he's just concerned about you. He may throw a tantrum if you are a few minutes late coming home from work or the store, or question you closely about where you went, who you spoke to. He may not let you make personal decisions about the house, your clothing, going out with friends. He may keep control over all the money, making you ask him for anything you need.

*Isolation

He tries to cut you off from friends and family. If you have men friends, you're a "whore"; if you have women friends, you're a lesbian; if you have close family ties, you're "tied to the apron strings." He accuses people who are your supports of "causing trouble." He may restrict your use of the phone, limit your use of the car or prevent you from going to work or school.

*"Playful" use of force in sex

He may like throwing you down, holding your wrists, jumping on top of you or holding you up against a wall or door to have intercourse. He may want to act out fantasies where you are helpless. He's letting you know that the idea of rape excites him. He may show little concern about whether you want to have sex, and use sulking or anger to manipulate you into compliance. He may start having sex with you while you are sleeping, or when you are ill or tired. 34% to 59% of battered women report they were forced to have sexual intercourse. Although people usually associate rape with the use of great physical force or weapons, it is still rape if you agree to have sex simply because you are afraid of what he will do if you refuse.

*Cruelty to children and animals

Studies of battering men have found that between 40% to 70% physically abuse their children. He may expect a child to be capable of doing things far beyond her ability, like whipping a 2 year old for wetting a diaper, or may tease a child until he cries. He may not want to eat at the table with the children. He may punish animals brutally, insensitive to their pain or suffering, or deliberately abuse animals in front of you and the children in order to use the animal's anguish to terrorize or manipulate you. Between 71% and 80% of battered women have reported that their abuser also abused animals.

*Has witnessed abuse

Many abusers were themselves abused as children or saw their mothers abused by their fathers. In one study, 57% of male batterers were exposed to one form or another of domestic violence as children - either as victims of child abuse or as witnesses of spousal violence. Almost one-third were both victims and witnesses.


THE FOLLOWING SIGNS ARE ALMOST ALWAYS SEEN ONLY IF THE PERSON IS AN ABUSER.


* Past battering

He may say that he hit a partner in the past - but she made him do it. You may hear from relatives or former partners that he is abusive. A Los Angeles abusers' counselor reported that all 150 abusers he had treated acknowledged they had abused other partners.

* Threats of violence

He makes threats meant to control you: "I'll smack you if you mouth off." "I'll break your neck." "I'll kill you." Most men do not threaten their mates, but an abuser excuses himself by saying, "Everybody talks like that."

* Hitting or breaking objects

This behavior is used as a punishment (breaking loved possessions), but is mostly used to intimidate and frighten you into submission. He may beat on tables or doors with his fists, or throw things at or near you. Again, this is very remarkable behavior; only very immature people beat on objects in the presence of other people to threaten them.

* Any use of force during an argument

He may hold you down, restrain you from leaving a room, push or shove you, or hold you against a wall saying, "You are going to listen to me."

Adapted from a handout developed by the Project for Victims of Family Violence, Fayetteville, AR.

The Virtuous Woman

Today, I had the most interesting conversation with my twistahs about the roles of a man and woman. To sum it up, I am a strong believer that man should be the head of his home. According to Eph 5:23 (in the Bible) "For the husband is the head of the wife as Christ is the head of the church, his body, of which he is the Savior." But this post is not about the husband/man. I'll save that for another post. This post is about The Virtuous Woman. (The Proverbs 31 Woman).

The passage from Proverbs 31 speaks for itself, so there is no explaining needed. I have to ask the questions: When a man finds this type of woman why does he try to use and abuse her? Why does he call her controlling when she lives up to her duties as a Virtuous Woman?



Proverbs 31:10-30


10
A wife of noble character who can find?
She is worth far more than rubies.

11 Her husband has full confidence in her
and lacks nothing of value.

12 She brings him good, not harm,
all the days of her life.

13 She selects wool and flax
and works with eager hands.

14 She is like the merchant ships,
bringing her food from afar.

15 She gets up while it is still dark;
she provides food for her family
and portions for her servant girls.

16 She considers a field and buys it;
out of her earnings she plants a vineyard.

17 She sets about her work vigorously;
her arms are strong for her tasks.

18 She sees that her trading is profitable,
and her lamp does not go out at night.

19 In her hand she holds the distaff
and grasps the spindle with her fingers.

20 She opens her arms to the poor
and extends her hands to the needy.

21 When it snows, she has no fear for her household;
for all of them are clothed in scarlet.

22 She makes coverings for her bed;
she is clothed in fine linen and purple.

23 Her husband is respected at the city gate,
where he takes his seat among the elders of the land.

24 She makes linen garments and sells them,
and supplies the merchants with sashes.

25 She is clothed with strength and dignity;
she can laugh at the days to come.

26 She speaks with wisdom,
and faithful instruction is on her tongue.

27 She watches over the affairs of her household
and does not eat the bread of idleness.

28 Her children arise and call her blessed;
her husband also, and he praises her:

29 "Many women do noble things,
but you surpass them all."

30 Charm is deceptive, and beauty is fleeting;
but a woman who fears the LORD is to be praised.

31 Give her the reward she has earned,
and let her works bring her praise at the city gate.


Such a wonderful woman indeed! So, again I have to ask. Why does a man try to use and abuse her? Why does he call her controlling when she lives up to her duties as a Virtuous Woman?

The Art of Seduction

Dear Reader,

After many requests, I've finally decided to post the Art of Seduction. The reason I'm posting is not only to gain insight on how to seduce effectively, but to notice the signs when you yourself are being seduced. Learning the art of seduction will help you understand the game, (if you choose to play), flip the script, or become an Anti-seducer. What ever you chose you are in for the ride of your life.

Enjoy!

FP

PS Follow me on twitter at http://twitter.com/feminaprudentia



The Art of Seduction

By Robert Greene

As is only appropriate, this small volume is sleek and appealing, with a glossy cover that draws the eye. It begs to be opened. Go ahead - the reward is a bonbon box full of clever diversions that might be handy if you use them right, a bit naughty if you don't, and even slyly humorous if you catch the whiff of satire. The text is broken into small - dare one say it, intimate? - morsels that you can read in stolen snatches of time. Author Robert Greene's observations on how to seduce (that is, persuade) are bordered with quotations from authors, philosophers and lovers, all offering entertaining support. However, potential seducers should note two key points. First, while Greene delivers his advice in terms of sexual seduction, if you are careful and interpretative, you may be able to apply pieces of it to general persuasion, including in business. On the downside, many of his techniques are pointedly sexy, over-the-top, amoral or manipulative. getAbstract thus recommends this book to those who study human nature for its own sake and for fun; those who will apply or modify any techniques to attain power over others; or those with the self-discipline to glean the gems, but turn away from taking unethical or illegal advantage.

The Art of Seduction- The Seducers


The Seducers- (from The Art of Seduction By Robert Greene)


The Siren

A man is often secretly oppressed by the role he has to play—by always having to be responsible, in control, and rational. The Siren is the ultimate male fantasy figure because she offers a total release from the limitations of his life. In her presence, which is always heightened and sexually charged, the male feels transported to a realm of pure pleasure. In a world where women are often too timid to project such an image, learn to take control of the male libido by embodying his fantasy.

The Rake
A woman never quite feels desired and appreciated enough. She wants attention, but a man is too often distracted and unresponsive. The Rake is a great female fantasy-figure when he desires a woman, brief though that moment may be, he will go to the ends of the earth for her. He may be disloyal, dishonest, and amoral, but that only adds to his appeal. Stir a woman's repressed longings by adapting the Rake's mix of danger and pleasure.

The Ideal Lover

Most people have dreams in their youth that get shattered or worn down with age. They find themselves disappointed by people, events, reality, which cannot match their youthful ideals. Ideal Lovers thrive on people's broken dreams, which become lifelong fantasies. You long for romance? Adventure? Lofty spiritual communion? The Ideal Lover reflects your fantasy. He or she is an artist in creating the illusion you require. In a world of disenchantment and baseness, there is limitless seductive power in following the path of the Ideal Lover.

The Dandy

Most of us feel trapped within the limited roles that the world expects us to play. We are instantly attracted to those who are more fluid than we are—those who create their own persona. Dandies excite us because they cannot be categorized, and hint at a freedom we want for ourselves. They play with masculinity and femininity; they fashion their own physical image, which is always startling. Use the power of the Dandy to create an ambiguous, alluring presence that stirs repressed desires.

The Natural
Childhood is the golden paradise we are always consciously or unconsciously trying to re-create. The Natural embodies the longed-for qualities of childhood—spontaneity, sincerity, unpretentiousness. In the presence of Naturals, we feel at ease, caught up in their playful spirit, transported back to that golden age. Adopt the pose of the Natural to neutralize people's defensivencss and infect them with helpless delight.

The Coquette
The ability to delay satisfaction is the ultimate art of seduction—while waiting, the victim is held in thrall. Coquettes are the grand masters of the game, orchestrating a back-and-forth movement between hope and frustration. They bait with the promise of reward—the hope of physical pleasure, happiness, fame by association, power—all of which, however, proves elusive; yet this only makes their targets pursue them the more. Imitate the alternating heat and coolness of the Coquette and you will keep the seduced at your heels.

The Charmer
Charm is seduction without sex. Charmers are consummate manipulators, masking their cleverness by creating a mood of pleasure and comfort. Their method is simple: They deflect attention from themselves and focus it on their target. They understand your spirit, feel your pain, adapt to your moods. In the presence of a Charmer you feel better about yourself. Learn to cast the Charmer's spell by aiming at people's primary weaknesses: vanity and self-esteem.

The Charismatic

Charisma is a presence that excites us. It comes from an inner quality—self-confidence, sexual energy, sense of purpose, contentment—that most people lack and want. This quality radiates outward, permeating the gestures of Charismatics, making them seem extraordinary and superior.They learn to heighten their charisma with a piercing gaze, fiery oratory, an air of mystery.Create the charismatic illusion by radiating intensity while remaining detached.

The Star
Daily life is harsh, and most of us constantly seek escape from it in fantasies and dreams. Stars feed on this weakness; standing out from others through a distinctive and appealing style, they make us want to watch them. At the same time, they are vague and ethereal, keeping their distance, and letting us imagine more than is there. Their dreamlike quality works on our unconscious. Learn to become an object of fascination by projecting the glittering but elusive presence of the Star.

The Anti-Seducer

Seducers draw you in by the focused, individualized attention they pay to you. Anti-seducers are the opposite: insecure, self-absorbed, and unable to grasp the psychology of another person, they literally repel Anti-Seducers have no self-awareness, and never realize when they are pestering, imposing, talking too much. Root out anti-seductive qualities in yourself and recognize them in others—there is no pleasure or profit in dealing with the Anti-Seducer.

The Art of Seduction- The Victims


The Eighteen Types (from The Art of Seduction By Robert Greene)

The people around you are all potential victims of a seduction, but first you must know what type of victim you are dealing with. Victims are categorized by what they feel they are missing in life—adventure, attention, romance, a naughty experience, mental or physical stimulation, etc. Once you identify their type, you have the necessary ingredients for a seduction: you will be the one to give them what they lack and cannot get on their own. In studying potential victims, learn to see the reality behind the appearance. A timid person may yearn to play the star; a prude may long for a transgressive thrill. Never try to seduce your own type.

The Reformed Rake or Siren.
People of this type were once happy-go lucky seducers who had their way with the opposite sex. But the day came when they were forced to give this up—someone corralled them into a relationship, they were encountering too much social hostility, they were getting older and decided to settle down. Whatever the reason, you can be sure they feel some resentment and a sense of loss, as if a limb were missing. We are always trying to recapture pleasures we experienced in the past, but the temptation is particularly great for the Reformed Rake or Siren because the pleasures they found in seduction were intense. These types are ripe for the picking: all that is required is that you cross their path and offer them the opportunity to resume their rakish or siren ways. Their blood will stir and the call of their youth will overwhelm them. It is critical, though, to give these types the illusion that they are the ones doing the seducing. With the Reformed Rake, you must spark his interest indirectly, then let him burn and glow with desire. With the Reformed Siren, you want to give her the impression that she still has the irresistible power to draw a man in and make him give up everything for her. Remember that what you are offering these types is not another relationship, another constriction, but rather the chance to escape the corral and have some ran. Do not be put off if they are in a relationship; a preexisting commitment is often the perfect foil. If hooking them into a relationship is what you want, hide it as best you can and realize it may not be possible. The Rake or Siren is unfaithful by nature; your ability to spark the old feeling gives you power, but then you will have to live with the consequences of their feckless ways.


The Disappointed Dreamer.
As children, these types probably spent a lot of time alone. To entertain themselves they developed a powerful fantasy life, fed by books and films and other kinds of popular culture. And as they get older, it becomes increasingly difficult to reconcile their fantasy life with reality, and so they are often disappointed by what they get. This is particularly true in relationships. They have been dreaming of romantic heroes, of danger and excitement, but what they have is lovers with human frailties, the petty weaknesses of everyday life. As the years pass, they may force themselves to compromise, because otherwise they would have to spend their lives alone; but beneath the surface they are bitter and still hungering for something grand and romantic. You can recognize this type by the books they read and films they go to, the way their ears prick up when told of the real-life adventures some people manage to live out. In their clothes and home furnishings, a taste for exuberant romance or drama will peek through. They are often trapped in drab relationships, and little comments here and there will reveal their disappointment and inner tension. These types make for excellent and satisfying victims. First, they usually have a great deal of pent-up passion and energy, which you can release and focus on yourself. They also have great imaginations and will respond to anything vaguely mysterious or romantic that you offer them. All you need do is disguise some of your less than exalted qualities and give them a part of their dream. This could be the chance to live out their adventures or be courted by a chivalrous soul. If you give them a part of what they want they will imagine the rest. At all cost, do not let reality break the illusion you are creating. One moment of pettiness and they will be gone, more bitterly disappointed than ever.


The Pampered Royal. These people were the classic spoiled children. All of their wants and desires were met by an adoring parent—endless entertainments, a parade of toys, whatever kept them happy for a day or two. Where many children learn to entertain themselves, inventing games and finding friends, Pampered Royals are taught that others will do the entertaining for them. Being spoiled, they get lazy, and as they get older and the parent is no longer there to pamper them, they tend to feel quite bored and restless. Their solution is to find pleasure in variety, to move quickly from person to person, job to job, or place to place before boredom sets in. They do not settle into relationships well because habit and routine of some kind are inevitable in such affairs. But their ceaseless search for variety is tiring for them and comes with a price: work problems, strings of unsatisfying romances, friends scattered across the globe. Do not mistake their restlessness and infidelity for reality—what the Pampered Prince or Princess is really looking for is one person, that parental figure, who will give them the spoiling they crave. To seduce this type, be ready to provide a lot of distraction- new places to visit, novel experiences, color, spectacle. You will have to maintain an air of mystery, continually surprising your target with a new side to your character. Variety is the key. Once Pampered Royals are hooked, things get easier for they will quickly grow dependent on you and you can put out less effort. Unless their childhood pampering has made them too difficult and lazy, these types make excellent victims——they will be as loyal to you as they once were to mommy or daddy. But you will have to do much of the work. If you are after a long relationship, disguise it. Offer long-term security to a Pampered Royal and you will induce a panicked flight. Recognize these types by the turmoil in their past—job changes, travel, short-term relationships—and by the air of aristocracy, no matter their social class, that comes from once being treated like royalty.

The New Prude.
Sexual prudery still exists, but it is less common than it was. Prudery, however, is never just about sex; a prude is someone who is excessively concerned with appearances, with what society considers appropriate and acceptable behavior. Prudes rigorously stay within the boundaries of correctness because more than anything they fear society's judgment. Seen in this light, prudery is just as prevalent as it always was. The New Prude is excessively concerned with standards of goodness, fairness, political sensitivity, tastefulness, etc. What marks the New Prude, though, as well as the old one, is that deep down they are actually excited and intrigued by guilty, transgressive pleasures. Frightened by this attraction, they run in the opposite direction and become the most correct of all. They tend to wear drab colors; they certainly never take fashion risks. They can be very judgmental and critical of people who do take risks and are less correct. They are also addicted to routine, which gives them a way to tamp down their inner turmoil. New Prudes are secretly oppressed by their correctness and long to transgress. Just as sexual prudes make prime targets for a Rake or Siren, the New Prude will often be most tempted by someone with a dangerous or naughty side. If you desire a New Prude, do not be taken in by their judgments of you or their criticisms. That is only a sign of how deeply you fascinate them; you are on their mind. You can often draw a New Prude into a seduction, in fact, by giving them the chance to criticize you or even try to reform you. Take nothing of what they say to heart, of course, but now you have the perfect excuse to spend time with them—and New Prudes can be seduced simply through being in contact with you. These types actually make excellent and rewarding victims. Once you open them up and get them to let go of their correctness, they are flooded with feelings and energies. They may even overwhelm you. Perhaps they are in a relationship with someone as drab as they themselves seem to be—do not be put off. They are simply asleep, waiting to be awakened.


The Crushed Star. We all want attention, we all want to shine, but with most of us these desires are fleeting and easily quieted. The problem with Crushed Stars is that at one point in their lives they did find themselves the center of attention—perhaps they were beautiful, charming and effervescent, perhaps they were athletes, or had some other talent—but those days are gone. They may seem to have accepted this, but the memory of having once shone is hard to get over. In general, the appearance of wanting attention, of trying to stand out, is not seen too kindly in polite society or in the workplace. So to get along, Crushed Stars learn to tamp down their desires; but failing to get the attention they feel they deserve, they also become resentful. You can recognize Crushed Stars by certain unguarded moments: they suddenly receive some attention in a social setting, and it makes them glow; they mention their glory days, and there is a little glint in the eye; a little wine in the system, and they become effervescent. Seducing this type is simple: just make them the center of attention. When you are with them, act as if they were stars and you were basking in their glow. Get them to talk, particularly about themselves. In social situations, mute your own colors and let them look funny and radiant by comparison. In general, play the Charmer. The reward of seducing Crushed Stars is that you stir up powerful emotions. They will feel intensely grateful to you for letting them shine. To whatever extent they had felt crushed and bottled up, the easing of that pain releases intensity and passion, all directed at you. They will fall madly in love. If you yourself have any star or dandy tendencies it is wise to avoid such victims. Sooner or later those tendencies will come out, and the competition between you will be ugly.

The Novice. What separates Novices from ordinary innocent young people is that they are fatally curious. They have little or no experience of the world, but have been exposed to it secondhand—in newspapers, films, books. Finding their innocence a burden, they long to be initiated into the ways of the world. Everyone sees them as so sweet and innocent, but they know this isn't so—they cannot be as angelic as people think them. Seducing a Novice is easy. To do it well, however, requires a bit of art. Novices are interested in people with experience, particularly people with a touch of corruption and evil. Make that touch too strong, though, and it will intimidate and frighten them. What works best with a Novice is a mix of qualities. You are somewhat childlike yourself, with a playful spirit. At the same time, it is clear that you have hidden depths, even sinister ones. (This was the secret of Lord Byron's success with so many innocent women.) You are initiating your Novices not just sexually but experientially, exposing them to new ideas, taking them to new places, new worlds both literal and metaphoric. Do not make your seduction ugly or seedy-everything must be romantic, even including the evil and dark side of life. Young people have their ideals; it is best to initiate them with an aesthetic touch. Seductive language works wonders on Novices, as does attention to detail. Spectacles and colorful events appeal to their sensitive senses. They are easily misled by these tactics, because they lack the experience to see through them. Sometimes Novices are a little older and have been at least somewhat educated in the ways of the world. Yet they put on a show of innocence, for they see the power it has over older people. These are coy Novices, aware of the game they are playing—but Novices they remain. They may be less easily misled than purer Novices, but the way to seduce them is pretty much the same—mix innocence and corruption and you will fascinate them.

The Conqueror. These types have an unusual amount of energy, which they find difficult to control. They are always on the prowl for people to conquer, obstacles to surmount. You will not always recognize Conquerors by their exterior—they can seem a little shy in social situations and can have a degree of reserve. Look not at their words or appearance but at their actions, in work and in relationships. They love power, and by hook or by crook they get it. Conquerors tend to be emotional, but their emotion only comes out in outbursts, when pushed. In matters of romance, the worst thing you can do with them is lie down and make yourself easy prey; they may take advantage of your weakness, but they will quickly discard you and leave you the worse for wear. You want to give Conquerors a chance to be aggressive, to overcome some resistance or obstacle, before letting them think they have overwhelmed you. You want to give them a good chase. Being a little difficult or moody, using coquetry, will often do the trick. Do not be intimidated by their aggressiveness and energy—that is precisely what you can turn to your advantage. To break them in, keep them charging back and forth like a bull. Eventually they will grow weak and dependent, as Napoleon became the slave of Josephine. The Conqueror is generally male but there are plenty of female Conquerors out there—Lou Andreas-Salomé and Natalie Barney are famous ones. Female Conquerors will succumb to coquetry, though, just as the male ones will.

The Exotic Fetishist.
Most of us are excited and intrigued by the exotic. What separates Exotic Fetishists from the rest of us is the degree of this interest, which seems to govern all their choices in life. In truth they feel empty inside and have a strong dose of self-loathing. They do not like wherever it is they come from, their social class (usually middle or upper), and their culture because they do not like themselves. These types are easy to recognize. They like to travel; their houses are filled with objects from faraway places; they fetishize the music or art of this or that foreign culture. They often have a strong rebellious streak. Clearly the way to seduce them is to position yourself as exotic—if you do not at least appear to come from a different background or race, or to have some alien aura, you should not even bother. But it is always possible to play up what makes you exotic, to make it a kind of theater for their amusement. Your clothes, the things you talk about, the places you take them, make a show of your difference. Exaggerate a little and they will imagine the rest, because such types tend to be self-deluders. Exotic Fetishists, however, do not make particularly good victims. Whatever exoticism you have will soon seem banal to them, and they will want something else. It will be a struggle to hold their interest. Their underlying insecurity will also keep you on edge.One variation on this type is the man or woman who is trapped in a stultifying relationship, a banal occupation, a dead-end town. It is circumstance, as opposed to personal neurosis, that makes such people fetishize the exotic; and these Exotic Fetishists are better victims than the self-loathing kind, because you can offer them a temporary escape from whatever oppresses them. Nothing, however, will offer true Exotic Fetishists escape from themselves.


The Drama Queen.
There are people who cannot do without some constant drama in their lives—it is their way of deflecting boredom. The greatest mistake you can make in seducing these Drama Queens is to come offering stability and security. That will only make them run for the hills. Most often, Drama Queens (and there are plenty of men in this category) enjoy playing the victim. They want something to complain about, they want pain. Pain is a source of pleasure for them. With this type, you have to be willing and able to give them the mental rough treatment they desire. That is the only way to seduce them in a deep manner. The moment you turn too nice, they will find some reason to quarrel or get rid of you. You will recognize Drama Queens by the number of people who have hurt them, the tragedies and traumas that have befallen them. At the extreme, they can be hopelessly selfish and anti-seductive, but most of them are relatively harmless and will make fine victims if you can live with the sturmunddrang. If for some reason you want something long term with this type, you will constantly have to inject drama into your relationship. For some this can be an exciting challenge and a source for constantly renewing the relationship. Generally, however, you should see an involvement with a Drama Queen as something fleeting and a way to bring a little drama into your own life.


The Professor.
These types cannot get out of the trap of analyzing and criticizing everything that crosses their path. Their minds are overdeveloped and overstimulated. Even when they talk about love or sex, it is with great thought and analysis. Having developed their minds at the expense of their bodies, many of them feel physically inferior and compensate by lording their mental superiority over others. Their conversation is often wry or ironic—you never quite know what they are saying, but you sense them looking down on you. They would like to escape their mental prisons, they would like pure physicality, without any analysis, but they cannot get there on their own. Professor types sometimes engage in relationships with other professor types, or with people they can treat as inferiors. But deep down
they long to be overwhelmed by someone with physical presence—a Rake or a Siren, for instance. Professors can make excellent victims, for underneath their intellectual strength lie gnawing insecurities. Make them feel like Don Juans or Sirens, to even the slightest degree, and they are your slaves. Many of them have a masochistic streak that will come out once you stir their dormant senses. You are offering an escape from the mind, so make it as complete as possible: if you have intellectual tendencies yourself, hide them. They will only stir your target's competitive juices and get their minds turning. Let your Professors keep their sense of mental superiority; let them judge you. You will know what they will try to hide: that you are the one in control, for you are giving them what no one else can give them—physical stimulation.

The Beauty.
From early on in life, the Beauty is gazed at by others. Their desire to look at her is the source of her power, but also the source of much unhappiness: she constantly worries that her powers are waning, that she is no longer attracting attention. If she is honest with herself, she also senses that being worshiped only for one's appearance is monotonous and unsatisfying—and lonely. Many men are intimidated by beauty and prefer to worship it from afar; others are drawn in, but not for the purpose of conversation. The Beauty suffers from isolation. Because she has so many lacks, the Beauty is relatively easy to seduce, and if done right, you will have won not only a much prized catch but someone who will grow dependent on what you provide. Most important in this seduction is to validate those parts of the Beauty that no one else appreciates—her intelligence (generally higher than people imagine), her skills, her character. Of course you must worship her body—you cannot stir up any insecurities in the one area in which she knows her strength, and the strength on which she most depends—but you also must worship her mind and soul. Intellectual stimulation will work well on the Beauty, distracting her from her doubts and insecurities, and making it seem that you value that side of her personality. Because the Beauty is always being looked at, she tends to be passive. Beneath her passivity, though, there often lies frustration: the Beauty would love to be more active and to actually do some chasing of her own. A little coquettishness can work well here: at some point in all your worshiping, you might go a little cold, inviting her to come after you. Train her to be more active and you will have an excellent victim. The only downside is that her many insecurities require constant attention and care.


The Aging Baby.
Some people refuse to grow up. Perhaps they are afraid of death or of growing old; perhaps they are passionately attached to the life they led as children. Disliking responsibility, they struggle to turn everything into play and recreation. In their twenties they can be charming, in their thirties interesting, but by the time they reach their forties they are beginning to wear thin. Contrary to what you might imagine, one Aging Baby does not want to be involved with another Aging Baby, even though the combination might seem to increase the chances for play and frivolity. The Aging Baby does not want competition, but an adult figure. If you desire to seduce this type, you must be prepared to be the responsible, staid one. That may be a strange way of seducing, but in this case it works. You should appear to like the Aging Baby's youthful spirit (it helps if you actually do), can engage with it, but you remain the indulgent adult. By being responsible you free the Baby to play. Act the loving adult to the hilt, never judging or criticizing their behavior, and a strong attachment will form. Aging Babies can be amusing for a while, but, like all children, they are often potently narcissistic. This limits the pleasure you can have with them. You should see them as short-term amusements or temporary outlets for your frustrated parental instincts.


The Rescuer.
We are often drawn to people who seem vulnerable or weak—their sadness or depression can actually be quite seductive. There are people, however, who take this much further, who seem to be attracted only to people with problems. This may seem noble, but Rescuers usually have complicated motives: they often have sensitive natures and truly want to help. At the same time, solving people's problems gives them a kind of power they relish—it makes them feel superior and in control. It is also the perfect way to distract them from their own problems. You will recognize these types by their empathy—they listen well and try to get you to open up and talk. You will also notice they have histories of relationships with dependent and troubled people. Rescuers can make excellent victims, particularly if you enjoy chivalrous or maternal attention. If you are a woman, play the damsel in distress, giving a man the chance so many men long for—to act the knight. If you are a man, play the boy who cannot deal with this harsh world; a female Rescuer will envelop you in maternal attention, gaining for herself the added satisfaction of feeling more powerful and in control than a man. An air of sadness will draw either gender in. Exaggerate your weaknesses, but not through overt words or gestures—let them sense that you have had too little love, that you have had a string of bad relationships, that you have gotten a raw deal in life. Having lured your Rescuer in with the chance to help you, you can then stoke the relationship's fires with a steady supply of needs and vulnerabilities. You can also invite moral rescue: you are bad. You have done bad things. You need a stern yet loving hand. In this case the Rescuer gets to feel morally superior, but also the vicarious thrill of involvement with someone naughty.


The Roué.
These types have lived the good life and experienced many pleasures. They probably have, or once had, a good deal of money to finance their hedonistic lives. On the outside they tend to seem cynical and jaded, but their worldliness often hides a sentimentality that they have struggled to repress. Roués are consummate seducers, but there is one type that can easily seduce them—the young and the innocent. As they get older, they hanker after their lost youth; missing their long-lost innocence, they begin to covet it in others. If you should want to seduce them, you will probably have to be somewhat young and to have retained at least the appearance of innocence. It is easy to play this up—make a show of how little experience you have in the world, how you still see things as a child. It is also good to seem to resist their advances: Roués will think it lively and exciting to chase you. You can even seem to dislike or distrust them—that will really spur them on. By being the one who resists, you control the dynamic. And since you have the youth that they are missing, you can maintain the upper hand and make them fall deeply in love. They will often be susceptible to such a fall, because they have tamped down their own romantic tendencies for so long that when it bursts forth, they lose control. Never give in too early, and never let your guard down—such types can be dangerous.


The Idol Worshiper.
Everyone feels an inner lack, but Idol Worshipers have a bigger emptiness than most people. They cannot be satisfied with themselves, so they search the world for something to worship, something to fill their inner void. This often assumes the form of a great interest in spiritual matters or in some worthwhile cause; by focusing on something supposedly elevated, they distract themselves from their own void, from what they dislike about themselves. Idol Worshipers are easy to spot—they are the ones pouring their energies into some cause or religion. They often move around over the years, leaving one cult for another. The way to seduce these types is to simply become their object of worship, to take the place of the cause or religion to which they are so dedicated. At first you may have to seem to share their spiritual interest, joining them in their worship, or perhaps exposing them to a new cause; eventually you will displace it. With this type you have to hide your flaws, or at least to give them a saintly sheen. Be banal and Idol Worshipers will pass you by. But mirror the qualities they aspire to have for themselves and they will slowly transfer their adoration to you. Keep everything on an elevated plane—let romance and religion flow into one. Keep two things in mind when seducing this type. First, they tend to have overactive minds, which can make them quite suspicious. Because they often lack physical stimulation, and because physical stimulation will distract them, give them some: a mountain trek, a boat trip, or sex will do the trick. But this takes a lot of work, for their minds are always ticking. Second, they often suffer from low self-esteem. Do not try to raise it; they will see through you, and your efforts at praising them will clash with their own self-image. They are to worship you; you are not to worship them. Idol Worshipers make perfectly adequate victims in the short term, but their endless need to search will eventually lead them to look for something new to adore.


The Sensualist.
What marks these types is not their love of pleasure but their overactive senses. Sometimes they show this quality in their appearance—their interest in fashion, color, style. But sometimes it is more subtle: because they are so sensitive, they are often quite shy, and they will shrink from standing out or being flamboyant. You will recognize them by how responsive they are to their environment, how they cannot stand a room without sunlight, are depressed by certain colors, or excited by certain smells. They happen to live in a culture that de-emphasizes sensual experience (except perhaps for the sense of sight). And so what the Sensualist lacks is precisely enough sensual experiences to appreciate and relish. The key to seducing them is to aim for their senses, to take them to beautiful places, pay attention to detail, envelop them in spectacle, and of course use plenty of physical lures. Sensualists, like animals, can be baited with colors and smells. Appeal to as many senses as possible, keeping your targets distracted and weak. Seductions of Sensualists are often easy and quick, and you can use the same tactics again and again to keep them interested, although it is wise to vary your sensual appeals somewhat, in kind if not in quality. That is how Cleopatra worked on Mark Antony, an inveterate Sensualist. These types make superb victims because they are relatively docile if you give them what they want.


The Lonely Leader.
Powerful people are not necessarily different from everyone else, but they are treated differently, and this has a big effect on their personalities. Everyone around them tends to be fawning and courtier like, to have an angle, to want something from them. This makes them suspicious and distrustful, and a little hard around the edges, but do not mistake the appearance for the reality: Lonely Leaders long to be seduced, to have someone break through their isolation and overwhelm them. The problem is that most people are too intimidated to try, or use the kind of tactics—flattery, charm—that they see through and despise. To seduce such types, it is better to act like their equal or even their superior—the kind of treatment they never get. If you are blunt with them you will seem genuine, and they will be touched—you care enough to be honest, even perhaps at some risk. (Being blunt with the powerful can be dangerous.)Lonely Leaders can be made emotional by inflicting some pain, followed by tenderness. This is one of the hardest types to seduce, not only because they are suspicious but because their minds are burdened with cares and responsibilities. They have less mental space for a seduction. You will have to be patient and clever, slowly filling their minds with thoughts of you. Succeed, though, and you can gain great power in turn, for in their loneliness they will come to depend on you.


The Floating Gender.
All of us have a mix of the masculine and the feminine in our characters, but most of us learn to develop and exhibit the socially acceptable side while repressing the other. People of the Floating Gender type feel that the separation of the sexes into such distinct genders is a burden. They are sometimes thought to be repressed or latent homosexuals, but this is a misunderstanding: they may well be heterosexual but their masculine and feminine sides are in flux, and because this may discomfit others if they show it, they learn to repress it, perhaps by going to one extreme. They would actually love to be able to play with their gender, to give full expression to both sides. Many people fall into this type without its being obvious: a woman may have a masculine energy, a man a developed aesthetic side. Do not look for obvious signs, because these types often go underground, keeping it under wraps. This makes them vulnerable to a powerful seduction. What Floating Gender types are really looking for is another person of uncertain gender, their counterpart from the opposite sex. Show them that in your presence and they can relax, express the repressed side of their character. If you have such proclivities, this is the one instance where it would be best to seduce the same type of the opposite sex. Each person will stir up repressed desires in the other and will suddenly have license to explore all kinds of gender combinations, without fear of judgment. If you are not of the Floating Gender, leave this type alone. You will only inhibit them and create more discomfort.

Art of Seduction- The Seductive Process



Phase One: Separation—Stirring Interest and Desire


1 Choose the Right Victim page 167
Everything depends on the target of your seduction. Study your prey thoroughly, and choose only those who will prove susceptible to your charms. The right victims are those for whom you can fill a void, who see in you something exotic. They are often isolated or unhappy, or can easily be made so—for the completely contented person is almost impossible to seduce. The perfect victim has some quality that inspires strong emotions in you, making your seductive maneuvers seem more natural and dynamic. The perfect victim allows for the perfect chase.

2 Create a False Sense of Security—Approach Indirectly page 177
If you are too direct early on, you risk stirring up a resistance that will never be lowered. At first there must be nothing of the seducer in your manner. The seduction should begin at an angle, indirectly, so that the target only gradually becomes aware of you. Haunt the periphery of your target's life—approach through a third party, or seem to cultivate a relatively neutral relationship, moving gradually from friend to lover. Lull the target into feeling secure, then strike.

3 Send Mixed Signals page 185
Once people are aware of your presence, and perhaps vaguely intrigued, you need to stir their interest before it settles on someone else. Most of us are much too obvious—instead, be hard to figure out. Send mixed signals: both tough and tender, both spiritual and earthly, both innocent and cunning. A mix of qualities suggests depth, which fascinates even as it confuses. An elusive, enigmatic aura will make people want to know more, drawing them into your circle. Create such a power by hinting at something contradictory within you.

4 Appear to Be an Object of Desire—Create Triangles page 195
Few are drawn to the person whom others avoid or neglect; people gather around those who have already attracted interest. To draw your victims closer and make them hungry to possess you, you must create an aura of desirability—of being wanted and courted by many. It will become a point of vanity for them to be the preferred object of your attention, to win you away from a crowd of admirers. Build a reputation that precedes you: If many have succumbed to your charms, there must be a reason.

5 Create a Need—Stir Anxiety and Discontent page 203
A perfectly satisfied person cannot be seduced. Tension and disharmony must be instilled in your targets minds. Stir within them feelings of discontent, an unhappiness with their circumstances and with themselves. The feelings of inadequacy that you create will give you space to insinuate yourself, to make them see you as the answer to their problems. Pain and anxiety are the proper precursors to pleasure. Learn to manufacture the need that you can fill.

6 Master the Art of Insinuation page 211
Making your targets feel dissatisfied and in need of your attention is essential, but if you are too obvious, they will see through you and grow defensive. There is no known defense, however, against insinuation—the art of planting ideas in people's minds by dropping elusive hints that take root days later, even appearing to them as their own idea. Createsublanguage—bold statements followed by retraction and apology, ambiguous comments, banal talk combined with alluring glances—that enters the target's unconscious to convey your real meaning. Make everything suggestive.

7 Enter Their Spirit page 219
Most people are locked in their own worlds, making them stubborn and hard to persuade. The way to lure them out of their shell and set up your seduction is to enter their spirit. Play by their rules, enjoy what they enjoy, adapt yourself to their moods. In doing so you will stroke their deep-rooted narcissism and lower their defenses. Indulge your targets' every mood and whim, giving them nothing to react against or resist.

8 Create Temptation page 229
Lure the target deep into your seduction by creating the proper temptation: a glimpse of the pleasures to come. As the serpent tempted Eve with the promise of forbidden knowledge, you must awaken a desire in your targets that they cannot control. Find that weakness of theirs, that fantasy that has yet to be realized, and hint that you can lead them toward it. The key is to keep it vague. Stimulate a curiosity stronger than the doubts and anxieties that go with it, and they will follow you.

Phase Two: Lead Astray—Creating Pleasure and Confusion

9 Keep Them in Suspense—What Comes Next? page 241
The moment people feel they know what to expect from you, your spell on them is broken.
More: You have ceded them power. The only way to lead the seduced along and keep the upper hand is to create suspense, a calculated surprise. Doing something they do not expect from you will give them a delightful sense of spontaneity—they will not be able to foresee what comes next. You are always one step ahead and in control. Give the victim a thrill with a sudden change of direction.
10 Use the Demonic Power of Words to Sow Confusion page 251
It is hard to make people listen; they are consumed with their own thoughts and desires, and have little time for yours. The trick to making them listen is to say what they want to hear, to fill their ears with whatever is pleasant to them. This is the essence of seductive language. Inflame people's emotions with loaded phrases, flatter them, comfort their insecurities, envelop them in sweet words and promises, and not only will they listen to you, they will lose their will to resist you.

11 Pay Attention to Detail page 265
Lofty words of love and grand gestures can be suspicious: Why are you trying so hard to
please? The details of a seduction—the subtle gestures, the offhand things you do—are often more charming and revealing. You must learn to distract your victims with a myriad of pleasant little rituals—thoughtful gifts tailored just for them, clothes and adornments designed to please them, gestures that show the time and attention you are paying them. Mesmerized by what they see, they will not notice what you are really up to.

12 Poeticize Your Presence page 277
Important things happen when your targets are alone: The slightest feeling of relief that you are not there, and it is all over. Familiarity and overexposure will cause this reaction. Remain elusive, then. Intrigue your targets by alternating an exciting presence with a cool distance, exuberant moments followed by calculated absences. Associate yourself with poetic images and objects, so that when they think of you, they begin to see you through an idealized halo. The more you figure in their minds, the more they will envelop you in seductive fantasies.
13 Disarm Through Strategic Weakness and Vulnerability page 285
Too much maneuvering on your part may raise suspicion. The best way to cover your tracks is to make the other person feel superior and stronger. If you seem to be weak, vulnerable, enthralled by the other person, and unable to control yourself you will make your actions look more natural, less calculated. Physical weakness—tears, bashfulness, paleness—will help create the effect. Play the victim, then transform your target's sympathy into love.
14 Confuse Desire and Reality—The Perfect Illusion page 295
To compensate for the difficulties in their lives, people spend a lot of their time daydreaming, imagining a future full of adventure, success, and romance. If you can create the illusion that through you they can live out their dreams, you will have them at your mercy. Aim at secret wishes that have been thwarted or repressed, stirring up uncontrollable emotions, clouding their powers of reason. Lead the seduced to a point of confusion in which they can no longer tell the difference between illusion and reality.

15 Isolate the Victim page 309
An isolated person is weak. By slowly isolating your victims, you make them more vulnerable to your influence. Take them away from their normal milieu, friends, family, home. Give them the sense of being marginalized, in limbo—they are leaving one world behind and entering another. Once isolated like this, they have no outside support, and in their confusion they are
easily led astray. Lure the seduced into your lair, where nothing is familiar.


Phase Three: The Precipice—Deepening the Effect Through Extreme Measures

16 Prove Yourself page 321
Most people want to be seduced. If they resist your efforts, it is probably because you ham' not gone far enough to allay their doubts—about your motives, the depth of your feelings, and so on. One well-timed action that shows how far you are willing to go to win them over will dispel their doubts. Do not worry about looking foolish or making a mistake—any kind of deed that is self-sacrificing and for your targets' sake will so overwhelm their emotions, they won't notice anything else.
17 Effect a Regression page 333
People who have experienced a certain kind of pleasure in the past will try to repeat or relive it. The deepest-rooted and most pleasurable memories are usually those from earliest childhood, and are often unconsciously associated with a parental figure. Bring your targets back to that point by placing yourself in the oedipal triangle and positioning them as the needy child. Unaware of the cause of their emotional response, they will fall in love with you.
18 Stir Up the Transgressive and Taboo page 349
There are always social limits on what one can do. Some of these, the most elemental taboos, go back centuries; others are more superficial, simply defining polite and acceptable behavior. Making your targets feel that you are leading them past either kind of limit is immensely seductive. People yearn to explore their dark side. Once the desire to transgress draws your targets to you, it will be hard for them to stop. Take them farther than they imagined—the shared feeling of guilt and complicity will create a powerful bond.
19 Use Spiritual Lures page 359
Everyone has doubts and insecurities—about their body, their self-worth, their sexuality. If your seduction appeals exclusively to the physical, you will stir up these doubts and make your targets self-conscious. Instead, lure them out of their insecurities by making them focus on something sublime and spiritual: a religious experience, a lofty work of art, the occult. Lost in a spiritual mist, the target will feel light and uninhibited. Deepen the effect of your seduction by making its sexual culmination seem like the spiritual union of two souls.
20 Mix Pleasure with Pain page 369
The greatest mistake in seduction is being too nice. At first, perhaps, your kindness is charming, but it soon grows monotonous; you are trying too hard to please, and seem insecure. Instead of overwhelming your targets with niceness, try inflicting some pain. Make them feel guilty and insecure. Instigate a breakup—now a rapprochement, a return to your earlier kindness, will turn them weak at the knees. The lower the lows you create, the greater the highs. To heighten the erotic charge, create the excitement of fear.

Phase Four: Moving In for the Kill
21 Give Them Space to Fall—The Pursuer Is Pursued page 383
If your targets become too used to you as the aggressor, they will give less of their own energy, and the tension will slacken. You need to wake them up, turn the tables. Once they are under your spell, take a step bach and they will start to come after you. Hint that you are growing bored. Seem interested in someone else. Soon they will want to possess you physically, and restraint will go out the window. Create the illusion that the seducer is being seduced.

22 Use Physical Lures page 393
Targets with active minds are dangerous: If they see through your manipulations, they may suddenly develop doubts. Put their minds gently to rest, and waken their dormant senses, by combining a non-defensive attitude with a charged sexual presence. While your cool, nonchalant air is lowering their inhibitions, your glances, voice, and bearing—oozing sex and desire—are getting under their skin and raising their temperature. Never force the physical; instead infect your targets with heat, lure them into lust. Morality, judgment, and concern for the future will all melt away.

23 Master the Art of the Bold Move page 405
A moment has arrived: Your victim clearly desires you, but is not ready to admit it openly, let alone act on it. This is the time to throw aside chivalry, kindness, and coquetry and to overwhelm with a bold move. Don't give the victim time to consider the consequences. Showing hesitation or awkwardness means you are thinking of yourself as opposed to being overwhelmed by the victim's charms. One person must go on the offensive, and it is you.

24 Beware the Aftereffects page 415
Danger follows in the aftermath of a successful seduction. After emotions have reached a pitch, they often swing in the opposite direction—toward lassitude, distrust, disappointment. If you are to part, make the sacrifice swift and sudden. If you are to stay in a relationship, beware a flagging of energy, a creeping familiarity that will spoil the fantasy. A second seduction is required. Never let the other person take you for granted—use absence, create pain and conflict, to keep the seduced on tenterhooks.